
If you liked X-Files and Bill and Ted, you’ll love Lutz and Balls, Paranormal Investigators.
One sided conversations with Kevin Smith... ...although he's more than welcome to chime in!
A strong, take no prisoners, female action movie with humor and heart. A story about a widowed soccer mom who, struggling to make ends meet, turns to the only line of work she has ever been any good at: contract killing. Then top it all off with the fact that her deceased ex-husband turns out to be not-quite-so, kidnaps their daughter, and forces mom to fight for the daughter's life.
Well, you can have the man you said you'd always work with, Ben, direct. And then the Bob or Harvey Weinstein can back the film. And all this can be done while you're working on Red State or Zack and Miri (whichever ends up first).
Come on Ben, Kevin, Jen, give a poor fat writer a break and drop him a line.
Before:![]() |
Will we see you doing more TV?
I know that I'm going to go up and direct an episode of 'Battlestar Galactica,' which I'm kind of stoked about. It's cool, but it is scary because it is like, "What the f---? I can't bring anything to that show." That show is genius and they have a very distinctive visual style.
But you are safe as a kitten. If you go in there and say, "I'm going to shoot everything in one big master shot," they'll go, "No you're not, because that is not what we do on 'Battlestar Galactica.'" I guess it is more about performance-oriented stuff, but at the same time that cast is top notch. How do you f----- direct Mary McDonnell?
I'm bummed that she didn't get an Emmy nod.
That whole cast is so spectacular and the fact that they haven't been singled
out is just bizarre. At the same time they finally got some writing nods, which
was good.This is the final season of 'Battlestar,' so it is extra cool that you
get to direct one.It's cool as someone who is a big fan and a supporter of the show to get up there and do one before they are all done. When I was up there shooting 'Reaper,' we shot on the same lot as ['Galactica'] and even though they weren't in production, our production designer was a production designer on 'Battlestar Galactica' so the dude was able to get me on the sets and show me everything. I walked around the Galactica [ship] and whatnot. But now to go back in a different capacity is more nerve-wracking. it is more fun to just walk around and be like, "Holy shit, that's the colonial viper." Then it is to be like," Alright, how are we going to shoot this colonial viper scene?"
Did they tell you anything about your episode?
Not yet. That was the first thing I asked, "Hey man, can I get a script?" and they are like, "It's not ready yet." I'm just hoping to be able to see some stuff in advance. If they'll show me every episode up until that point that would be incredibly helpful for my episode, but more incredibly helpful for me as a fan.
"Daddy, when Hollywood discovers you only make movies I can watch. Nothing scary and no mushy-gushy stuff. If you need ideas you can come to me."I like the fact she used the word when, not if. That means it's going to happen, sir. My little girl is watching out for me.
![]() | As I mentioned earlier this month, Room 602 is in the can. I outlined the project and even handed off a Super Rough Cut, yes, it was more rough than rough, to my editor. I then went over his rough Monday. Ouch. So we spent today editting and getting the project back on track with my vision. It's looking good sir. You know, a comedy just isn't a comedy when you leave out gags, jokes, and visuals that are there to get a laugh out of the audience. When entire scenes are missing (don't get me started) that move the plot along, what's left just doesn't make sense. But, as I said, its already looking better. Hopefully by this weekend we have a real rough cut and can work on cleaning up sound, laying in the music, and rotoscoping out those freakin' shadows that show the camera. |
A strong, take no prisoners, female action movie with humor and
heart. A story about a widowed soccer mom who, struggling to make
ends meet, turns to the only line of work she has ever been any good at:
contract killer. And then top it all off with the fact that her deceased
ex-husband turns out to be not-quite-so, kidnaps their daughter, and forces mom
to fight for the daughter's life.
Throw into the mix lots of hilarity, some keystone criminals, and kick ass action... what more could you want?
Call me, sir.